Last Smile Sunshine: Feeling like a progressive rock take on a Broadway show tune, this cut is a solid prog jam and sets the tone for the whole album.

Astralography: This one comes in a bit more straightforward in its rocking style. It feels quite a bit like Styx trying to do a Broadway show tune. The guitar work on this track is particularly strong.
Heaven's Café: With a good rock and roll basis, this one is pretty straightforward, almost generic.

Never Alone: This is another fairly generic composition.

Classical Man: This cut feels a bit like a psychedelically tinged hard edged Spock's Beard. It evolves into a killer spacey jam after a time.

Labyrinth: Starting with bass, the cut begins a gradual building process. It is a rather strange one. It dissolves into near chaos at times, then turns into a very psychedelic progish space rock jam.

Tower of Information: Beginning in a sedate prog mode, based on piano and acoustic guitar, this one begins slowly growing from there. It feels quite a bit like something from Spock's Beard or Flower Kings, but with a stage musical sort of beat to it.

Again: With an almost funky The Who sort of texture, this is a brief cut.

Flowing Home: Another short one, this piece is a pretty rock and roll oriented number.

The Dark: This one is actually a bit of a suite, being composed of several distinct segments. This first part starts off in a Spock's Beard sort of mode, then starts building in a slow process. This section is brief and sans vocals, but it has some strong prog tendencies. The next movement/song in the suite begins a gradual ramping in intensity and carries the cut through with power and style.

Robins' Lullaby: This number is a brief and fairly pretty classically oriented ballad

The Music Street Journal USA